FCP will always hold a special place in my heart however, as this was the first tool I started editing with nearly ten years ago. Adobe is here to stay though and I am proud to be a faithful Adobe follower and I am extremely grateful for the arsenal of weaponry they have given us all!
I am going to be documenting a trip around the world and am hopeful I might get cable if not tv play… Well that's the plan anyhoo. If I can keep it HD that would be awesome.
I want to future proof my work as best I can. I will be putting my work on a website I am developing so I will have more control over it with regards to keeping ownership. I am hoping to not have to go to Apple as I've never used it, but if it comes to that I may. Sony Vegas Pro eh?
I remember that program from about 15 years ago… you could buy it for less than a hundred dollars even back then it was pretty powerful… not as powerful as Premiere, FCP or Avid… Seems like things have changed. I remember a few years back some cameras did come with a version of it… Not sure if it was full featured tho…. I also wonder if it comes with all the things you need to adjust color grading and correction and also whether or not you can create After Effect like effects without using After Effects or other 3rd party software?
I have a yearly subscription to Adobe so it looks like I will be using this unless someone can point out troubles I may avoid if using Sony Vegas…. I have no experience with Vegas Pro, but many on these forums speak highly of it.
My best bet would also be that you can edit " natively " in Premier Pro. In the years since the thread was first posted, there's been a lot ofchanges to NLEs. FCP was lobotimized in version Subsequently, many die hard FCP users dropped it. Adobe has had some flak thrown at them because of the Creative Cloud concept.
No more buying the software and running it forever. It can be on either Mac or Windows, and the constant stream of updates insures I'll have the latest and greatest Adobe has to offer. A user can install the software on up to two computers, so one on your desktop workstation and one on your notebook is a possibility. Adobe's tight integration with the other apps Audition for example make this a very professional suite.
More than often a new thread is begun by those who DON'T take the time to research their questions, wasting other's time and bandwidth! Sign in Join. Sign in. Forgot your password? Create an account. Sign up. Password recovery. Recover your password. Get help. This topic has 1 reply, 36 voices, and was last updated 4 years, 2 months ago by rfigliolini.
July 28, at PM Rob Participant. Tom Inactive. Is After Effects a big deal for some effects — does it work best with AP? I understand the pro suite of premiere will take FCP native files now too. July 29, at AM July 29, at PM Ryan Participant. Thank you all. Hope to hear from you Rob. And so on, etc, etc, You pretty much have it right about ProRes. Here are some of the major qualities: -If you have multiple formats, transcoding everything to ProRes helps streamline post production because you will be working in one codec, ProRes.
July 30, at PM August 4, at PM Anonymous Inactive. August 5, at AM August 5, at PM Why buy more equipment just to run a program? But if you do have a MAC, you could use either. I use FCP but that is just a preference. I have absolutely nothing bad to say about Adobe. Good luck. THank you Jerron and Rob. August 6, at AM Who do you work with that you think I am wrong? If graphics are being made, Illustrator, Photoshop and After Effects are always used together.
A Di Vinci is always used for color grading, although Color seems to be gaining ground. Jerron, About the motion graphics, you are right, render out an Animation codec from your graphics program.
August 6, at PM August 7, at PM Chris Participant. December 9, at AM December 13, at AM Yaya Participant. Mark Participant. April 15, at AM I need help!
I am new at using this software. But need to know what would suite the progra Firstly which would be easier to learn given that I am a mac user proficient in most adobe programmes. This is what I need the software to do. I really hope someone can advise me which of the 2 is best for my needs. April 15, at PM April 21, at PM April 22, at AM Joel Participant.
September 13, at PM JonnyPaula Participant. September 14, at AM September 14, at PM September 15, at PM March 30, at PM Grinner Hester Participant. March 31, at PM Thanks, again, to you both!! April 7, at PM May 22, at PM May 30, at PM May 31, at AM May 31, at PM June 1, at PM July 28, at AM It includes 4K and degree video editing capability and VR headset playback. Adobe Premiere Pro is also video editing software that works with the Creative Suite family of products or as standalone software.
Premiere Pro has been known as an industry-standard for professional editing for some time. Use it to edit any format from 8K to virtual reality on desktop and mobile workstations. It includes the desktop Mac or Windows version as well as a mobile app counterpart.
Both tools are powerful video editors with more features than the average person will ever use. There are some distinct differences between each tool though that can impact your choice as to which one to use. Premiere has a configurable UI and comes with seven pre-configured workspaces. It is like a storyline that lets you connect the scenes in a video or some parts of the video seamlessly. It automatically deletes any wrongly done overwriting on a clip or anything that interferes with the timeline.
There are only three pre-built workspaces in Final Cut Pro. It offers several editing advantages like connected clips tool that lets you to cycle various video clips. You may use three versions of a clip to check the right way it fits in the video content. It helps in saving your time. According to the project, you may adjust your requirements. Automatically create new tracks by dropping an audio clip in the timeline and specify types like stereo, mono, standard, 5.
The audio meters are re-sizable and allows you to single out any track. Adobe Premiere supports third-party VSP plugins and hardware controllers. From peaks, noises, and hummus, Final Cut Pro can automatically adjust the flaws, or you may also adjust them manually. From several plugin supports to over 1, royalty-free sound effects, and the ability to match the recorded tracks, you can find a comprehensive audio segment with Final Cut Pro.
For powerful sound, you have Apple Logic Pro plug-ins and a surround-sound mixer for locating or animating 5. The Adobe Premiere comes with one of the best color grading and correction options. Not just when you think of Adobe Premiere Pro vs Final Cut Pro, even when you compare any other tools, Adobe Premiere is the best software that you can have. Give life to your raw files by using the right colors to express emotion in a particular clip or enhance the overall color tone of your videos easily with Premiere.
For small marketing or interview videos, the available color options work fine. But for long videos where you need to show emotions or individual moments of life, paying for the external plugins become important. Adobe Premiere is a complex software and not an intuitive one, compared to Final Cut Pro. It is targeted to the experienced video editors but has a logical structure for all users. You can find files easily as the layers are separated.
Apple is known for its elegant software and gadget designs, but we'd like Final Cut to be more intuitive both overall and in the fine details.
For instance, there's no estimate of the final file size when you're exporting a project; even Sony Vegas offers that. And while we like what we've seen of Adobe CS3's Device Central, Apple doesn't offer comparable previews of how movies will look on handheld gadgets.
Also, unfortunately, on our MacBook Pro, we encountered glitches. For instance, Final Cut Pro 6 crashed when we tried to export a project to a video iPod. We suspected a corrupted file, but QuickTime achieved the same task without a hitch.
Indeed, Apple has already released an update to Final Cut Studio; visit the company's Web site to find what's new. Nevertheless, even after we added version 2. Oddly, even taking these downsides into account, Final Cut Pro 6 is a dramatic improvement that sped up our workflow compared to using version 5. However, we advise against multitasking while running the software; dedicating your machine solely to the editing tasks would be wise.
Color This addition to Final Cut Studio includes a slew of ways to view and adjust color beyond grading capabilities of Final Cut Pro, including with 3D scopes and flatter-looking levers. This application doesn't resemble its brethren in the suite, but it was relatively intuitive. We were able to adjust shadows, midtones and highlights, and customize RGB and luma curves, while presets quickly achieved various mood effects.
Color preserves luma values, which saves time when moving work into editing with Adobe AfterEffects. You can also make colors match from various sources or create special effects, such as tinting only a rose red in an otherwise black-and-white movie. Color will likely enable independent moviemakers and editors to achieve lovelier-looking work. However, Color is limited to bit resolution support. Another limitation is that you must break down projects sent to Color into minute reels, ideally with edit points or fewer.
Some users have complained that the timecode in a rendered file in Color didn't match that of the original clip. However, we were unable to duplicate this problem. Motion 3 The Motion 3 animation application offers a cleaner interface and cool 3D compositing capabilities. A bunch of new behaviors allow for creative options without requiring the use of a curve editor, filling in coordinates, and using keyframes.
You can view and drag around the 3D space from multiple angles, including the camera's vantage point, and then easily zoom in, set drop zones, and duplicate behaviors. SmoothCam technology let us take otherwise unusable footage shot from a helicopter and stabilize it for a result that was usable, albeit slightly blurry.
We achieved this fix in a series of short steps without having to pick and lock down a stable point, and without using the separate Shake application.
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